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Without doubt , the most sought after piece of British folk
around. As Record Collector mused in its' May 2005 edition "From
the simple beauty of Rainbow River & the albums manifesto
Diamond Day to the closely observed Rose Hip November & Swallow
Song , the jaunty Jog Along Bess , a wonderfully warm & intimate
atmosphere is evoked , as if the listener is reading pages from
the dairy to someone deeply attuned to nature & the truly
important things in life."....."Vashti was one of the few people
surprised when the Observer voted it one of the best British
albums of all time."
I personally find the LP a bit twee & insubstantial ; but
heck , what do I know?
The condition?
Although the platter has
been played (a couple of spindle marks), it has only ever been gently caressed by
the highest of hi-end
turntable, & it is the only copy that I have had or heard where Vashti isn't frying bacon in the background! The cover is also
the best that I have seen.
This leads me to the regrettable(?) conclusion that
stratospheric bids are required.
SOLD
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"An LP
so packed with talent & originality it alone justifies the
existence of the underground collector circuit......you can pick
just about any major 60's LP & this will blow it away on all
counts.." (Acid Archives of Underground Sounds 1965-1982).
This has to be THE quintessential piece of 60's
psychedelia . A truly monumental conceptual behemoth .... & its
bloody good to boot !
Condition wise the cover has a 'ding' top
left hand corner (see montage) & some light wear to the bottom seam & spine.
The vinyl on side 1 has 2 visible scuffs which have NO effect
when playing. Side 2 is clean. Plays throughout a strong EX or
better. SOLD
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"One of
the classics of the fields , not without its detractors, but
a great & special experience in my ears"....
"Surgical fuzz leads & trippy effects throughout"......
"It doesn't really work for me as it quite frankly gets down
right boring"......
"This is an excellent psychedelic album....the album was issued
simultaneously in a gatefold & non-gatefold cover (this
happens to be the non-gatefold version) . Both
versions are monster rarities."........
(Comments extracted from "Fuzz, Acid & Flowers" & "A.A of U S
1965-1982")
WOW, is it any good ?????. Yes ; I love it , its a crooning , fuzz drenched
mutha of an album . Is it worth the exorbitant amount it will
cost????....HMMMMM....now that's down to you.
Oh by the way its M-/M-....still HMMMMMing !!!!!
SOLD
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"The vibe is
understated & nervous.....Some of the tracks are more
ambitious & several are truly memorable, & this is a
recently discovered biggie on the Fringe-Incredibly Strange
circuit." Observed
A.A
of
US.
To
me, its the bastard child of the Partridge family & the
Shaggs. I've also heard an old wives tale stating that
only 50 were pressed.
One final point; this has to be the best pressed, private
pressing that I've heard. It puts the likes of Philips &
Polydor (to name but 2 multinationals') to shame!
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| What we have here is the 1st solo offering from the axemeister
of Philippino Pinoy rock legends', "Juan de la Cruz" . Heavily
influenced by 'Cream' but with a Philippino slant . Veering from
searing guitar assaults , to a more laid back Pinoy psych ...... Both
cover & vinyl grade a strong EX . A small punch hole (bottom
right) stops the cover grading M- & there are 1 or 2 feather
light hairlines which are inaudible . It also comes with the oh
so rare poster.
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"This
is the real ticket.....Imagine Dick Dale jamming with 1966
Velvet Underground in an airplane hangar after a night of booze
& quaaludes . A true missing link bridging the early & late 60's
sounds". Observed A.A of U.S 1965-82.
This gargantuan, freakbeat monolith
has been preserved in pristine condition, (M-/M-) .You will have
to be very persuasive (financially) to prize this little baby
from our grasp!! SOLD
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"Obscure isn't the word for this ultra rare 2nd LP.......All over
not the mindblower the 1st is, a pretty interesting artefact
anyhow ...... Both LP's are well into 4 digit realm".
Mused A.A of U.S 1965-82.
Visually the vinyl looks little better than
VG with numerous scuffs & hairlines . Sonically , however , it
plays a strong EX with only occasional very light background
noise . In fact I would go as far as saying that there is very
little difference in sound quality between this & the pristine
black label copy . It is housed in a generic white sleeve .
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Arguably the rarest of
the album's on the much sort after 'HOLYGROUND' label . Only 99
were printed way back when ; so you can see it's rather an endangered beast
. You have a mixture of jug band (a la Panama) , gruff northern
folk & acidy weirdness . Intriguing? ; you bet . EX+/EX+ you
can't ask for more!!! (can you?) .
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Not a lot to say about this really . Hard rock , third rate pub
band ; never make it big time ! But there is one little
curiosity ; the front cover lettering is in turquoise....yes I
know , "TURQUOISE" ..... just ask Peter Grant ; (is anyone a
clairvoyant) . We've got A1/B1 matrix , Superhype publishing
credits , 1 or 2 featherlight scuffs (which don't effect play) &
a cover that is pristine , & to make the package even more
enticing , it comes with an original ultra rare in-store promo poster
(27"by 19")
in VG+ condition . If you can put up with the "music"
its quite a nice album to own !
SOLD
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Only 50 copies of this lysergically tinged folk monster were
printed way back in the dim & distant past (1971 to be precise).
Haunting femme vox predominates with musical & rhythmical twists
& turns throughout. Not always an easy listen, but one that is
never less than enticing.
The cover has a minute tear top right
hand corner of the opening edge (see montage). The vinyl has a
few whispey hairlines but plays excellently throughout.It also
comes with the insert SOLD
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Now this is seriously rare ; the "Floydian" crown
jewels . Only 50 were made (I believe) for promotional purposes
in Japan . The track listing is as follows :- Summer 68 ;
Careful with that axe , Eugine ; The Nile song ; If ; Biding my
time ; Let there be more light ; Julia dream ; Main theme (from
the film "MORE") ; Saucerful of secrets & See Emily play.
So if you want to be the talk of the town , I suggest you buy
it. Oh I almost forgot , the grading is M-/M-.
P.S. The scanner makes the cover look grubby which is
not the case.
SOLD
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From a country more renowned for watch making & dubious bank
accounts , it
comes as something of a surprise that the Swiss should
spawn this little gem . You have a cover that could grace the National
Gallery , plus a feast of mind blowing , acid drenched psychedelia hidden within the grooves of the vinyl ; this is one
hell of an album . Both the cover & vinyl are a very strong M - ,
i.e. 'AS NEW ' . For an added bonus a calling card from the bands'
producer/manager is enclosed (WOW!!!).
SOLD
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"A local California guitar rock album ,
extremely well played & produced . Only 3 or 4 of these 2
versions (this being the white label 'Terra Fertilis'
version) have ever surfaced & is considered one of the lost
masterworks of the seventies West Coast scene".
"Rare West Coast guitar-rocker with a late psych vibe & some
fantastic tracks on level with 'DR Hooker'
& 'Zerfas'. Were the thoughts of Vernon (F.A.F) &
Patrick (A.A of U.S).
I thoroughly recommend this
album....its class, (& in super nick too).
SOLD
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If you are looking for even a modicum of subtlety
& innovation...forget it; fast forward; depart........For this is
stinking barroom filth ...you can almost smell the beer &
Jack Daniels
emanating from the grooves . From the overtly sexist cover to
the musical corruption within; this is raw...red neck raw!
The cover has some writing top left hand corner (see montage) &
well repaired (invisible) seam splits (1" top. 2" bottom). The
vinyl has 1 or 2 hairlines but plays ballsy throughout,,,so lets
say EX-/EX condition wise.
SOLD
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" ' Love & Poetry ' is a highly rated psychedelic
album...The highlights are the opening track 'The Day Grew
Longer for Love' which like most tracks are slow & melodic
but with killer guitar leads ..."....Remarked a
Tapestry of delights.
This has to be one of the rarest major label albums' in
existence. It deserved far greater recognition back in the dim &
distant past. But now you have a chance to rectify your youthful
oversight by buying it. It plays & looks a dream.
SOLD
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"Solid underground stoner blowout which is the way you wish all hardrock
LP's were , relentless guitar jamming with a loud basement sound
, punky vocals & a druggy-wasted attitude".
Observed Patrick
the Lama from the 'Acid Archives' .
They say "Never
judge a book by its cover" (who are 'They'?) & those words fit the bill here
perfectly . A less than riveting sleeve , hides an album of
neglected brilliance "Its a refreshing alternative to the
pretence & posturing of so many other hard rock albums".
To me it has a 'Crazy Horse' (sans N.Y) vibe to it . But to put a
different slant on this particular situation , F.A.F reckons "This
sought after album is over-hyped by dealers". Dealers
over-hype something.....NO WAY!
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"McNiven & Rew recorded 'Captain Shannon' & 'Amaryllis' in a 4
day session in the summer of 1970 . They were originally
intended as a double album , but seperated at Decca's
insistence........'Amaryllis' is considered their finest work by
many.......Certainly it vies with 'Leafhounds' 'Growers of
Mushroom' as the rarest progressive release on the label".
Its fascinating what you learn when you delve into the history
of a band!
Criminally overlooked at the time , it is a highly accomplished
piece of music & one that I wholeheartedly recommend . The
sleeve is a nice EX, the vinyl is clean . So go on.......
SOLD
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"A pleasant-enough folk outfit whose sound was characterised by
Susan Traynor's fragile vocals , which are similar to those of
'Trees' & 'Spriguns', & some good guitar work.....The first
album is rare enough , but the second is very difficult to track
down , as it is alleged to have been withdrawn from sale".
Were the thoughts of Vernon Joynson from a 'Tapestry of
Delights'.
Delightful harmonies & well crafted songs are my main
impressions . The condition of both the cover & vinyl are also a
delight . Only sticker remnants & a small cross on the back
cover (see montage) stop it grading higher than EX . The vinyl
is clean (M-)......serious offers please.
SOLD
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"Some people love this , but to these ears
(& mine!) it's an amateurish , monotonous , poorly played
folk rock record.....This gets points for having been discovered
really early in the collecting world : it was well known back in
the early '80's".
As you may have gathered I am not a great fan of this album
. To me it sounds like it was recorded in a tin can , but to
others it has a charming basement quality (hope I havn't hyped
it too much!). Go on....I dare
you.....buy it!
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Monsterously rare in this mono
format. 'Tomorrow were one of the leading psychedelic bands
of the era' As 'A Tapestry of Delights' astutely noted.
The cover has what looks like a pair of staple holes bottom left
hand corner ( hardly noticeable ) & the song 'Strawberry Fields Forever' underlined on
the back. Still a nice EX however. The wax is clean.
NEW
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“Bullshit 3 1/4” was a quantum leap away from all of
Ben-Israel’s previous musical endeavours as evidenced by the
title’s decided lack of commercial potential, the provocative
cover artwork and songs that free-formed and furry-freaked all
over the place. Ben-Israel’s production was economical and clean
while the unorthodox arrangements work tremendously within all
eight original songs. And throughout Ben-Israel rages about
everything in front of him: from the hypocrisies of straight
society to escapism via irresponsible drug use and if he had a
dog he’d probably be down on all fours barking and snarling into
the microphone. And although the lyrics are all sung in Hebrew,
its lack of comprehension to foreign ears doesn’t detract
because not only does the very out-there and emotional rock’n’roll that is “Bullshit 3 1/4” make the lyrics take a back
seat, the dynamic range and shifting of the vocals between
singing, screaming, and whispering speak meanings beyond
language".
To
get the full review please go to
Julian Cope Presents Head Heritage | Unsung | The
Book of Seth
....
All I will add is that to these ears, it is a work of
genius
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One of the most totemic/rarest of early Japanese
underground releases, 1973’s double LP set Oz Days.
With Les Rallizes
Denudes’s side-long blaster and Taj Mahal Travellers’
tempestuous comedown drones further bolstered by tracks from
Miyako Ochi, Acid Seven and Minami Masato.
An amazing snapshot of the
formative years of the Japanese underground,
& it is in virginal condition.
SOLD
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"This international group lived as a
commune on the Spanish island of Deya & were acquaintances of
Daevid Allen & Gilly Smyth . Their album is an attractive
journey into the more mystical realms of hippie-folk, somewhere
between Robin Williamson, Daevid Allen & some tracks by the
German group Popol Vuh. Many songs have a strong Eastern
touch....This album will satisfy any ardent fan of
psych-folk...". Concluded 'Scented Gardens of the Mind'.
This little beauty requires serious offers to extract it from our
sweaty grasp!
SOLD
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"A monster rarity, but one which also does the business
musically. A first-class compilation of some super-rare tracks,
its a fascinating insight of great things to come. John Brim,
who co-recorded the 'Tough' with Elmore James, was the only
artist to re-appear on Blue Horizon after this release. JB Hutto
& Snooky Pryor certainly taped further material, while some of
the other featured artists here, like Little Hudson, Eddie Hope
& Danny Boy sank without trace. However , the undisputed
highlight here, which makes the record indispensable, is its
inclusion of 3 ultra-rare cuts by Howlin' Wolf, which documents
his first ever recordings from 1951. Coupled with Ike Turner on
piano, they remained unreleased cuts from his Crown sessions. A
fascinating listening experience...Great stuff".
These were
the musings of Barry 'Vertigo' Winton, extracted from Record
Collector July 2006.
99 copies of this deity status artifact were printed. To make
the chance of obtaining this even more appealing, the ultra
fragile cover was printed the wrong way round (flipbacks on the
front cover!) The cover has rubbing to the spine (no split) & 1
or2 light creases, the vinyl is pristine...I'm afraid a pound or two of your flesh (or lots
of money!) is required to secure this S.O.A.B..
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Monstrously rare,
heavy progressive masterpiece from the boot (the epicentre of
progressive rock at the time). This copy has the SIAE stamp
denoting its' an original. For further info regarding the band
please go to:-www.italianprog.com/a_raminghi.htm
.
Its
in immaculate nick, so serious offers please!
SOLD
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"Elvis
impersonator moonlighting as a psych genius in a nice blue
haunted house sleeve"....."This is the kind of album that makes
collecting so much fun"....."This is melodic 1970's psych like
Michael Angelo & Bob Trimble with a great side long
epic"....."Still,3/4 of a very special album is something to
treasure, & everyone reading this needs to hear (BUY!)
this". Gushed A.A of U.S.
Premier
league psych behemoth, looks clean, but due to cheap vinyl plays
with occasional light static. Classy stuff none the less.
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I gather that this little beauty
is musically akin to some privately pressed UK folkrock, a la
Candida Pax/A to Austr. Pokora gives it
6*
with a masterpiece symbol.
This
comes from a 'find' of 4 sealed copies a while
back...intrigued!?!
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Catherine Howe, What A Beautiful Place.
No one has been able to buy
this lost folk classic for 35 years. Now its
time has finally come, says Barney Hoskyns
*****
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Barney Hoskyns
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The Observer,
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Sunday January 21 2007
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Article history
What a beautiful album this is - the kind of
lost MOR-folk classic we all hope to discover in
the wake of Judee Sill, Vashti Bunyan, Linda
Perhacs and their ilk. It's like some missing
link between Sandy Denny and Karen Carpenter, or
Ladies of the Canyon and Dusty in Memphis .
Chicago's ultra-cool Numero label should be
congratulated on unearthing it.
Catherine Howe
was a Kate Bush before her time, an English girl
with a pretty face and an artlessly pretty voice
who through pure serendipity was paired with
eccentric American producer Bobby Scott. Over
two weeks in February 1971, the 20-year-old Howe
and 33-year-old Scott worked together at Soho's
Trident Studios to create this lush masterpiece.
But barely had it been released when the label
that released it - CBS subsidiary Reflection -
went belly-up. Nobody got to hear What a
Beautiful Place bar a few journalists and
industry insiders.
Halifax-born Howe had touted songs around
after her early training as an actress at
London's Corona drama school. A chance encounter
with Reflection's Andrew Cameron Miller led to
1969 demos and, eventually, the sessions at
Trident. Classically-trained Scott, who had
co-written the Beatles' 'A Taste of Honey' and
the Hollies' 'He Ain't Heavy, He's My Brother',
was instantly smitten by the wide-eyed wonder of
the girl's songs and set to work writing the
extraordinary orchestrations we hear on the
album.
To these ears, the intricate strings and
haunting woodwind - courtesy of the LSO, no less
- on songs such as 'My Child' and 'On a Misty
Morning' recall nothing so much as the spooky
melancholy of Bergen White's brilliant For Women
Only (1969). If you love pure female voices
sailing over oboes and harpsichords, look no
further. 'It's Not Likely' suggests a more
ethereal Sandy Denny; 'Words Through a Locked
Door' could be Dusty Springfield covering Joni
Mitchell. 'It Comes With the Breezes' is a
wafting samba for a summer night, the
gallivanting title track a pastoral Laura Nyro.
Gracing every track, moreover, are Scott's
frenetically funky piano fills.
If What a Beautiful Place is a perfect
artefact of its time, complete with a hazy cover
image of Howe by the lake at Kenwood House, even
then it was out of step with fashion. Happily,
as the gorgeous bonus track 'In the Hot Summer'
attests, Howe survived the disappointment of her
debut's premature death and has recorded further
albums. (Her most recent, Princelet Street, was
released last year.)
There is
little for me to add, other than to say it's in
lovely nick...serious offers please.
SOLD
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"An unoriginal but
aggressively exciting debut by a tight & powerful blues band who
feature keyboards, steel guitar & gruff vocals. Slightly
reminiscent of early Beefheart"...Melody Maker
2/5/70.
"A four-piece whose album starts very promisingly with
'Memories', a melodic song with nice strings in the background.
There are 3 other quiet songs, mostly in a blues vein, & the
group really sound distinctive, particularly vocally. However,
the other 8 songs are all very loud, bluesy group stuff. There's
some good guitar, but nothing exceptional. Shame they didn't
vary their sound a bit more"...Disc & Music Echo
2/5/70.
Staggeringly rare major label blues rock, on a par with 'Leafhound',
& this copy is in stunning condition. cover would be M-( NO
laminate creasing, NO wear to seams & spine, NO tears, rips or
feathering) bar a name in the top left corner of the back cover
(see montage). The vinyl is clean...serious offers please.
SOLD
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Never thought I'd be putting a
single into the auction section of this site.....However, this
is no ordinary single; it just so happens to be the 1st piece of
vinyl created by the greatest band on Earth!
MGM obviously had great hopes for the band, as they miscredited
it to JETHRO TOE!
'Aeroplane ', was in fact a song written by Anderson & recorded
by the John Evan Smash, which featured (I believe), John Evan,
Barrie Barlow & Jeffrey Hammond & obviously Gerald Bostock..... 'Sunshine day', was a Mick Abraham
demo.
The vinyl is
in EX nick & comes in a repro MGM sleeve
NEW
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A clean original UK copy of
superb progressive behemoth....a must for all prog connoisseurs
out their.
SOLD
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This
must be the rarest & heaviest (musically speaking!)) slab of
wax from Latinoland....only 50 pressed, I believe.
I would grade the gatefold cover a shade under EX. With some
'pinching' to the back cover near the spine & a small sticker on
the inside cover (see montage). It comes with the insert which I
would grade as EX. Side 1 label also has a sticker on it.
I would visually grade the vinyl;
side 1 VG+...a couple of light marks track 1 side 1 & 1 or 2
hairlines. Side 2, I would visually grade it as EX. There
are, however, occasional clicks & pops throughout. I can see no
visual reason for this to happen...there are NO sticks or jumps
& there is NO groovewear & hardly a spindle mark insight... I can only guess that somehow the
master tapes became contaminated (it could also explain the
reason why only 50 were pressed).
It plays
between VG (track 1 side 2), to EX or better for the majority of the LP. If
anyone has anymore info, I would be most grateful.
Still looking for heavy bids (financially speaking!)
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"Their first LP has
an intense westcoast sound similar to the second, although less
evolved. One side is a long Bay Area-inspired (especially from
'Spare Chaynge') instrumental, the other side is more
conventional. Worth checking out..."Concluded
Patrick Lundborg.
Along with 'Bent Wind', this has to be the rarest & most sort
after artifact from across the pond,then turn right (north) to
the frozen wilderness (geographically speaking!)) Both
cover & vinyl are in really nice nick...this copy has been
signed by Bob Bryden on the back cover (I have been told this is
the only copy that he has autographed...don't know if that's
true). Plus there is a name in biro discretely written on the
back cover.
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